The Bourne Identity

The Borne personal identity, released in the year 2002, is a fascinating natural save-thriller flick. The motion picture borrows secret plan elements, components and the title from a popular spy novel pen by Robert Ludlum during the Cold War era. The motion picture is to the highest degree a CIA private investigator who loses his memory and sets outs on a quest to reclaim his individualism. He in like manner faces the twin challenge of surviving his own doubts about his past and escaping from assassins hired by his own agency to hunt him down. The plotline is quite pissed, if not unique, and has ample juice to keep the spectator pump interested till the very end.The motion-picture show offers a healthy dose of fight and chase sequences to the keep viewer engrossed athick thrilling piece development, brisk pacing and solid acting. image Synopsis This Universal Pictures production was directed by Doug Liman, while categoric Damon stars as Jason verge in the lead rol e. The primary(prenominal) character edge is found shot and half-dead in a beach and rescued by fishermen. He has no memory of his past, as he grants from severe amnesia. The moreover clue that he uncovers promptly is the account number and address of a Swiss bank, beaming out of a miniaturized laser pointer from his renal pelvis (Younkin 2).He desperately feels the urge to figure out his past and reclaim his identity operator. He begins a quest for reviving his identity by first dismissal to Switzerland to look for answers and then follows the path laid by newly uncovered clues. In Switzerland, bourn finds a gun and a lot of four-fold currency money in his bank gum elastic deposit. He in any case finds it bizarre that he possesses multiple fake passports under his name. bound is to a fault surprised to learn about his exceedingly good m inventionial art skills when confronted with a situation to fight for his life. When he tries to regulatek the aid of the US Embassy, more trouble awaits him.These revelations make him uncomfortable as it brings upon the suspicion that he might have a dark past. At one point, he realizes that he has to wither accept the possibility of him piece a unfavourable individual or wander confused about his true identity for the rest of his life. Matt Damon effectively conveys feelings of paranoia when his character Bourne is overwhelmed by this inborn conflict. At this juncture, Bourne meets a woman named Marie played by Franka Potente. She is in a crunch need for money and he needs immediate transportation to flee away to this next destination France.Hence, they both bind to help out each other, as Marie strikes a deal with Bourne to transport him to Paris in exchange for $20,000 in cash. And, eventually Potentes character turns out to be the heros love interest. In Paris, Bourne escapes all the assassination attempts planned against him by the CIA. Meanwhile, Marie goes flees away to safety on Bournes insistence. W hen Bourne visits the Treadstone Head Quarters, he gets buttocks his memory about him being a CIA spy and assassin. He destroys the Treadstone exertion and reunites with Marie in a remote classic island. CharactersClive Owen plays the role of an assassin send by the CIA to kill Bourne since he failed in his mission of killing an African leader who threatens to expose the CIA abstruses. Owens character, the professor, is a polished, cold, trench finish assassin who is in ruthless pursuit of Bourne. Owen nails the part to the tee with his passionless expressions. Chris Cooper plays the role of the shady CIA officer Conklin who plans out top secret operations and makes honorablely objectionable decisions fanny closed doors. His character is as healthy as quite animated and annoyingly funny at times.Julia Stiles gives a the right way process with her robotic expressions, playing a minor part of an analyst named Nicolette. revue Movie amateur Craig Younkin calls Bourne Identi ty a film about a character trying to rebuild and emphasizes the importance of steady character building in this depiction (Younkin 1). Mike Clark of USA Today feels that Damons portrayal of Bourne is much more convincing than Richard Chamberlains performance in the 1988 TV version of the same photographic film(2). He besides suggests that hellions being younger and his charming looks did not deter the credibility of the character.BBCs Neil Smith as well as speaks highly of Damons portrayal of Bourne and comp atomic number 18s his character to the likes of classic spies like Harry Palmer and George Smiley (2). However, he harshly criticizes the movie for not completely harnessing the acting prowess of Potente who showed great potential in the popular movie Run Lola Run. However, Charles Taylor of Salon. com considers Potente as the movies biggest human grammatical constituent (5). He perceives Potentes character Marie as humane since she watches frozen and shake when Bourne is busy fighting with assassins, thereby providing extenderness in the midst of violence (Taylor 4).Rob Gonsalves of eFilm Critic points out that Matt Damons natural way characterized by a mixture of hard and soft features makes him look both defined and blank (2). He perceives Bournes character as someone whose mind forgot who he is but his body remembers very well (2). Gonsalves feels this Damons attributes and acting crap well for Bournes character that has no memory of his personal life, but still is proficient in certain survival skills such as speaking different languages and militant arts.He too compares this movie to the critically acclaimed thriller Memento, since the lead characters in both films suffer from the same condition while striving hard to uncover their identity and past. Margaret McGurk of the Cincinnati Enquirer is all praise for the director Liman, as she suggests that the movies urgent pace helps play down some of the awkward plot holes (8). She feels th at that plot in most movies in this genre do tend to be lacking at times, since the primary focus is on the main character and solitary(prenominal) little time is left for explaining plotlines in detail.McGurk also appreciates the director for smartly muting the background score at the right time. Liman also receives praise from Top critic Colin Covert of the Star Tribune for his realistic flare and paying precise attention to detail, especially in the car chase scene staged in Paris (6). Movie critic Jeremy Heilman of MovieMartyr. com points that the films weakness lies in the lack of a strong villain character and the absence of a concrete reason behind CIAs desire to get rid of Bourne (3). He also feels that the films seems incomplete as a number of plot threads abide untied (Heilman 3).The movies main character is well positive and the storyline of the movie left enough room to make powerful sequels, in the form of The Bourne Supremacy and The Bourne Ultimatum. Editing pro ficiency The classical Hollywood editing approach is geared to toward achieving continuity by adopting editing techniques such as matching shots, cut of meat for reaction and cutting on action. However, the editors of the movie break out from convention, by capturing action on the fly and cutting for movement. This enables the interview to view action sequences exactly from Bournes shoes.The end results of this technique can be quite mistake and unsettling to the viewer, since there is always an element of uncertainty. Unlike usual action flicks, this movies editing does not ignore the consequences of the main characters actions on other characters, thereby adding a touch of realism. In a way, this movie is not only entertaining but also makes the hearing relate to the consequence of violence. Lighting and Cinematography The lighting and colors are quite dark to be reflective of the nature of the subject being handled in the movie.The movie follows quite a contemporary style of s torytelling in this genre. The opening scene of the movie starts with a unique shot where we see Bournes body from underneath, through the water. The movies action sequences were shot and edited in way to provide a superstar of realism, usually experienced in documentaries. The film is visually appealing as it showcases scenic locations in Zurich, Prague and Paris. The final scene set in the Greek island of Mykonos is testament to the movies refined visual treatment. ConclusionOne has to remember that this movie came out in 2002, just a few months after the tragic events of 9/11 when the CIAs operational methods came under the microscope. Hence, it is natural for the audience to expect an element of relevance to real-world events. Applying political connotations to this movie would have only worsened the socio-political climate. According to A. O. Scott of the New York Times, this movie is just a work of fiction and has nothing to do with current or past world happenings, thereby p roviding something of a relief (6).He further says Ludlums work is stringently a fictional thriller, and does not intend on stimulating ethical dilemmas or posing questions over troubling geopolitical issues (Scott 6). Although the movie is not a typical action flick filled to the brim with action sequences and special effects, it does succeed in providing heart-pounding action to the viewer. Works Cited Page Covert, Colin. 24 edge 2007. Bourne Identity is a scorching thriller. Star Tribune. (June 13 2002). 24 March 2007. Clark, Mike. Bourne plays old-school spy game.USA Today. (14 June 2002). 24 March 2007. Gonsalves, Rob. The Bourne Identity. eFilmCritic. 24 March 2007. Heilman, Jeremy. The Bourne Identity (Doug Liman) 2002. 24 March 2007. McGurk, Margaret. Bourne to Thrill. Cincinnati Enquirer. (14 June 2002). 24 March 2007. Scott, A. , O. He Knows a Lot, Just Not His Name.New York Times. (14 June 2002). 24 March 2007. Smith, Neil. The Bourne Identity. British Broadcastin g Corporation. (September 2002). 24 March 2007. Taylor, Charles. The Bourne Identity. Salon. (14 June 2002). 24 March 2007. Younkin, Craig. Reviews The Bourne Identity. MovieFreak. 24 March 2007.