Norman Morrison and The Things They Carried

struggle has such a violent personality that it has bear upon many individuals in many different ways. The most intelligible of these is through with(predicate) the lives of the soldiers who experience it first-hand. However, even those who simply follow its progress and who subscribe to empathy for those in the wake of such mass slaughter atomic number 18 affected by the event. Because of the savageness in struggle colde and the turn outing psychological and emotional make of this experience on such war-ravaged men, many writers come tried to contract the subject. Norman Morrison and The Things They Carried are two literary pieces that have reflected the gravity of warfare and its impact on men who have struggled with its violence.Tim OBrien and Adrian Mitchell wrote pieces that resounded with their stacks on war. twain employed the use of the lives of their characters to get a point across to their readers. War is terrible. Its effects echo on in an individuals bread and plainlyter and the images of the terror of war is eternally implanted in the lives of those who survive it. He was a slim, dead, almost dainty young man of round twenty. He lay with one leg bent beneath him, his jaw in his throat, his face neither expressive nor inexpressive. One eye was shut. The other was a star-shaped hole. (OBrien, 1998)The drive of twain pieces is to show the effect of the deaths of those considered to be the opposite on those involved in the war. War is not indiscriminate dislike but indiscriminate killing and both writers condemn these violent acts through their words. OBrien (1998) shows this clearly through The Man I Killed while Mitchell (1997) does so through the manners of a man, Norman Morrison, who fought the war every daylight in his heart, at home.The two works are very spatiotemporal in sharing with the reader the experience of the war and the experience of life after the war. Although the actions of these individuals are clearly a resu lt of psychological disorders, Tim OBrien and Adrian Mitchell give their audience a look into the mindsets of those who are actually experiencing these events. It is not a trip into the mind of disturbed individuals who have lost control of themselves but rather it is a clear view into the life of someone who has experienced darkness and terror and who cannot, for the life of him, disband it with the comforts and peace that he once knew. All that peace, man, it felt so good it hurt. I want to hurt it back. (OBrien, 1998)Norman Morrison was a on the whole new aspect of the war that no one was prepared to see. Although the wars effects on the soldiers were already clear, its effects on those left hand at home was not. Yes, there were those actively voicing out their concerns around the events, denouncing the war and demanding a stop to the violence, but how far did it go? How far did their empathy for those involved in the war go? Mitchell (1997) answers this for us, He simply bur nt-out away his clothes, his passport, his pink-tinted skin, put on a new skin of irrupt and became Vietnamese.Thus war became not only about those on outside(prenominal) shores, not only about those holding the guns and the ammunitions. It became something more palpable. It became about everyone who was small-arm of the countries at war. It became about the victims in the country where the war was happening and about those from the opposite country who felt not only for their own soldiers but also for the innocent victims.In conclusion, it can be said that both literary pieces spoke of war. Both presented it through the lives of individuals who were involved in the war. This pursuit was broad and included all of those who empathized with the events involved in war and those whose lives were promptly affected by the violence. The tragic deaths of those in the path of the savage war were the tipping point that drove many individuals to the brink.ReferencesOBrien, T. (1998). The things they carried. New York Broadway BooksMitchell, A. (1997) Norman Morrison. In Out Loud. London W.H. Allen Publishers