'Hamilton\r'

'Hamilton begins by highlighting the common see that fictionology depicts the blissful tell apart of man in his maestro harmony with nature. On the contrary, Hamilton notes, the lives of old-fashioned people were not romantic and beautiful, but full of hardship, disease, and violence. For Hamilton, the classical myths be remarkable In that they show how come outlying(prenominal) the Greeks, an antediluvian clvlllzatlon, had advanced beyond a primitive state of savagery and brutality. By the time Homer wrote his epic, the Iliad, a new way of looking at the universe of discourse had come into being.According to Hamilton, this new erspective is critically important, revealing a great deal not only near past Greece but about modern the States as well”as so overmuch of our own culture comes directly from the Greeks. One of the virtually important aspects of the Greek human passel was that it was the first to put domain at the center of the universe. Un comparable th e animal deities of the Egyptians and Mesopotamians, the gods of the Greeks be human in form. Not only do they possess human physical characteristics, but they embody the emotional flaws of humans as well.Unlike the gods of other ancient civilizations, Greek gods are not infinitely wise and omnipotent, manifesting ypical human foibles such as philandering, feasting and drinking, and obsessive Jealousy. To the Creeks, the life story of the gods so closely resembled human life that the gods felt authoritative and tangible, rather than Incomprehensible and remote. In this way, Hamilton argues, the myths of the Greeks reflect a view of the universe that acknowledges the mystery and beauty of humanity.Even the most illusional of Greek myths reverse real-world elements: the supernatural Hercules lives in the very real city of Thebes, and the goddess Aphrodite is born in a spot any(prenominal) ancient tourist could visit, off the island of Cythera. In general, Greek myths involv e less strange and frightening magic than the myths of other ancient civilizations. In this more noetic world, individuals become milles by virtue of bravery and military capability rather than supernatural powers.Hamilton contends that this revolutionary way of idea about the world elevates humans and the worth of their abilities, qualification It a far less terrifying habitation In which to live. Hamilton points out a downside to this rational view of the supernatural”Ilke humans, the gods are often unpredictable. They do not endlessly operate on the highest moral grounds, and they sustain black and jealous, ometimes doing terrible things like exacting retaliation or calling for sacrifices.Even though Greek myth lacks wizards and demonic spellcasters, there are still locoweed of horrible magic creatures”the snake-haired Gorgons, for Instance”that appear to be relics of that older, primitive world. In the end, however, as Hamilton points out, the Greek hero always manages to defeat these-creatures. Hamilton By vandad91 of hardship, disease, and violence. For Hamilton, the Greek myths are remarkable in that they show how far the Greeks, an ancient civilization, had advanced beyond a ealousy.To the Greeks, the life of the gods so closely resembled human life that the gods felt real and tangible, rather than incomprehensible and remote. In this way, about the world elevates humans and the worth of their abilities, making it a far less terrifying place in which to live. Hamilton points out a downside to this rational view of the supernatural”like humans, the gods are often unpredictable. They do not always operate on the highest moral grounds, and they get angry and Jealous, horrible magic creatures”the snake-haired Gorgons, for instance”that appear to be\r\n'